After seeing 'Superbad' last weekend, I needed a grown-up antidote and this movie is certainly that. A slow moving, adult, serious movie with a message. The movie has a number of themes including ageing, corruption, principles and truth. The movie's message is that there is more to life than making money. The acting is uniformly good but Clooney is outstanding. His character is complex and he's pretty unhappy with what he has become. But it's all done very subtly.

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There are no obvious messages in this movie. As another reviewer wrote, you have to pay attention.

Don't read too much into my 'slow moving/slow burner' descriptions. This movie is not boring.

It just doesn't whiz along with one implausible twist after another. It's evenly paced with an almost complete lack of silly plot lines (there was no need for the lawyer in crisis to remove his clothes during a trial).

Everyone involved in this movie deserves praise for producing a challenging, grown-up, movie-with-a-message in the face of a torrent of mindless nonsense. Highly recommended. During one scene, high powered corporate lawyer Karen Crowder (Tilda Swinton) practices answers for a coming interview.

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How do you achieve a work-life balance? The question, of course, could apply to us all. Ideals versus the reality of paying a mortgage? Trapped in a fast lifestyle.

You maybe realise what you are doing is less than perfect. How easily can you get out?

(One might also ask, how do serious actors balance worthwhile projects against box-office returns. A question that seems to prompt the fluctuating choices of stars like Swinton and Clooney.) By putting such an impasse at the heart of the movie, Michael Clayton becomes more than an edge-of-your-seat legal drama: it is a powerful psychological study that asks how far we will go to avoid facing unpalatable truths. Wreck it ralph soundtrack sugar rush. Michael Clayton (George Clooney) is an in-house 'fixer.' He works for a big New York law firm.

He sorts out their dirty work. For instance, a big client is involved in a hit-and-run. Or bad stories in the press that need smoothed out. Clayton is good at his job.

But discontented. Divorce, gambling addiction, failed business venture, loads of debt.

No easy way out, even if he wanted one. U-North is a large agrichemical company (think Constant Gardener).

Their in-house chief counsel is Karen Crowder (Tilda Swinton). Karen wants to see off a multi-million dollar class action suit. Clayton's firm is employed to wind it all up nicely for her. But Clayton's colleague, the brilliant Arthur Edens (Tom Wilkinson), has an apparent mental breakdown.

He strips off during a deposition. Then tries to sabotage the entire case. Clayton goes in to 'fix' things, yet he is gradually forced to admit how good the firm has maybe become at making wrong seem right. Much in the tradition of Erin Brockovitch or even Syriana, this is a film that tries to attack the respected authorities while still working within the format of mainstream cinema. (More cynically, it uses high production values and scenes that last no longer than the attention span of passive audiences – supposedly the length of a TV commercial break.) Directed by the man who wrote the Bourne trilogy, Michael Clayton racks up an intelligent suspense movie out of a plot nominally too dry for mass-market appeal. It reminds us of a world of imperatives we all succumb to.