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Alexander (Mailing List) Taylor, 7:28 น. Andy, Text Expander is great, but I think you missed the point here. The expansion, in this case, is done at cue execution time, not creation time, to keep qLab clean and concise. /channel/[headset]/mute to mute all headsets - be there 16, 18 or 20 active on a given day /channel/[char:sandy,char:danny]/unmute to un-mute the lead characters, regardless of who is playing them on what channels based on channel tags By having several different configuration files for the LS9 gateway, it handles if we are running a large or small ensemble and who is playing different characters on a given run all without having different sets of cues. Depending on the level of complexity between qLab and the console, some people may find this overkill and others may love it. Jay Andy Dolph, 13:39 น. Like Rich pointed out, this is actually a hack-y work around using the SysEx cue to do something it isn't supposed to.

If you really wanted to use the SysEx cue for whatever reason, a tidier way would be to start your content in the SysEx cue with and F7 and end it with an F0. This will effectively send an empty SysEx message, followed by your MIDI message(s), followed by another empty SysEx message. Still a clunky hack, but at least it would be proper MIDI messaging to hopefully avoid the off chance of gear flipping out based on invalid messages.

A reason to have a proper NRPN MIDI cue available in QLab is for fades (which it looks like Alexander's demo workspace is doing). If you assign an NRPN parameter number, start a fade on CC 6, and then assign a new NRPN parameter number before that fade is complete, the new NRPN parameter will be taking those CC 6 messages instead of the old one. You can't simultaneously fade two or more NRPN parameters without continually re-assigning the NRPN parameter throughout the fade which isn't possible without a dedicated NRPN MIDI cue to handle this.

Like Rich pointed out, this is actually a hack-y work around using the SysEx cue to do something it isn't supposed to. If you really wanted to use the SysEx cue for whatever reason, a tidier way would be to start your content in the SysEx cue with and F7 and end it with an F0. This will effectively send an empty SysEx message, followed by your MIDI message(s), followed by another empty SysEx message. Still a clunky hack, but at least it would be proper MIDI messaging to hopefully avoid the off chance of gear flipping out based on invalid messages. A reason to have a proper NRPN MIDI cue available in QLab is for fades (which it looks like Alexander's demo workspace is doing). Tekst objyasneniya ob utere voditeljskogo udostovereniya v gibdd.

If you assign an NRPN parameter number, start a fade on CC 6, and then assign a new NRPN parameter number before that fade is complete, the new NRPN parameter will be taking those CC 6 messages instead of the old one. You can't simultaneously fade two or more NRPN parameters without continually re-assigning the NRPN parameter throughout the fade which isn't possible without a dedicated NRPN MIDI cue to handle this. The other thing that Rich hasn’t explicitly said here is that short waits in between grouped MIDI cues are often necessary because the vast majority of MIDI devices (both interfaces and receiving devices) have very old designs, with very limited memory. As such, they don’t have much in the way of buffer capacity, and it’s very, very easy to cause an overflow, which then causes messages to either get dropped or corrupted (if only partial messages are dropped).

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This is why it is our rather boldfaced recommendation that SysEx messages should not be misused to send multiple other MIDI commands in a single cue. In many, many cases, it just won’t work properly. Even when grouping individual MIDI cues together, it’s often necessary to add small delays to get things to play nice. (This is also why I personally only recommend MIDI devices by iConnectivity and ESI, as they’re the only ones I know that have adequate enough buffers to reliably send MTC and long SysEx strings. I’ve seen darn near every other brand choke on one or the other at some point, usually at the worst possible moment.) -Andy —.